The George Barris of Ravensburg – Spohn Coachworks: Special Interest Autos, Jan-Feb 1974

Hi Gang…

We’re burning up rubber here in the depths of Forgotten Fiberglass…..bringing to the surface lost and forgotten cars – mostly fiberglass – that deserve recognition and respect.  Today’s story is one in a series of articles on a custom coachbuilder who worked in metal and not ‘glass, and that’s Spohn Coachworks of Ravensburg, Germany.

I’ve been giving the wild customs of “Spohn Coachworks” recently because a Spohn Veritas car is coming up for auction soon  I hope that providing additional information about Spohn via our website, that those interested in the car at the auction can appreciate its history and significance in the early years of custom cars in America.

Today’s article was originally written by Michael Lamm and appeared in the Jan-Feb issue of Special Interest Autos in 1974.  And…what makes this article more important than all other articles about Spohn is that the person responsible for creating these customs – Josef Eiwanger Jr, – participated in this article by providing information about his company.

This is the best and most accurate article I’ve located on Spohn – especially concerning the postwar years which are of most interest to me.   Pretty impressive article gang.  Let’s learn more about “Spohn” from Michael Lamm and his team at SIA back in 1974.

Germany’s Kustom King
Special Interest Autos, Jan-Feb 1974
By Michael Lamm and Erik Eckermann (Munich)

Carosserbiebau Spohn became one of those rare European coachbuilders who managed to survive World War II.  Spohn did this by building direction finders for the Wehrmacht during the war and after the armistice, repaired military vehicles briefly for the occupying French.

After that, Spohn returned to coachbuilding and catered mostly to American GI’s.  One postwar correspondent called Spohn “the George Barris of Ravensburg.”  Another observed wryly that Spohn’s rather unrestrained, often bizarre creations were “the revenge of the Third Reich,” especially in view of a spate of grossly overdone GM LeSabre-copying fins and front treatments.

A number of Spohn’s postwar customs seem almost like spoofs of American styling themes of the early 1950’s.  Behind these odd blendings of lines and motifs stood a company with a reputation and background as solidly respectable as 5the Bank of Hanover.  Carosseriebau Spohn was founded in 1920 by Josef Eiwanger and Hermann Spohn as equal partners in a Ravensburg body repair shop.

Spohn died in 1923, but Eiwanger enjoyed building custom bodies more than straightening bent fenders, so it didn’t take long before he and his staff were hammering out full coachwork on Bugatti, Mercedes, Steyr, Opel, and Maybach chassis.

In 1929, Carosseriebau Spohn became a favored coachbuilder for Mayback, a relationship that flourished until 1939.  Josef Eiwanger acted as Spohn’s chief body designer and engineer.  One of Eiwanger’s best-known creations was the flush-fendered Maybach displayed at the 1931 Berlin Salon.

This car was far ahead of its time and appeared two full years before the 1933 Pierce Silver Arrow.  Another Spohn blockbuster came in 1935, again on Maybach basics – a streamlined design built along Jaray patents, with blended fenders, a curved wrap-around windshield, and a highly streamlined overall shape.  Both cars caused quite a stir among automotive designers in Europe and the United States.

Josef Eiwanger Sr. retired during WWII, and in 1945 Josef Eiwanger Jr., son of the founding partner, was put in charge of Carosseriebau Spohn by occupying French forces.  The Spohn plant at that time consisted of approximately 21,500 square feet of covered area.  After the German currency reform of 1948, Spohn returned to building custom bodies but since Europeans – even European noblemen – had no money to spend on coachbuilt cars at that time, Spohn’s customers became mostly American GI’s stationed in Germany.

The practice of backyard customizing was becoming popular then, especially in California, and Spohn was happy to accept the title of Ravensburg’s Kustom King.  Most of Spohn’s prewar craftsmen had returned to the company, so technique was no problem, and labor was quite inexpensive.  Josef Eiwanger Jr. soon became known simply as “Joe” to his customers in uniform.  Joe was eager to please, and he knew better than to quibble with some of their more unusual demands – the tailfins, portholes, expanses of chrome, heavy bumpers, and the like.

In fact, Joe Eiwanger soon found himself helping his GI customers design their cars, and he did this with the aid of a fairly standard “box of toys.”  This consisted of preconceived items and themes – amps, bezels, handles, plus fairly standardized grille treatments, moldings, spinners, bumpers, the shapes of decklids, hoods, roofs, and interiors.

Any of them could be adapted to a variety of cars.  Spohn craftsmen, having built these standardized items a number of times before, could do so again more quickly and at less cost.  The “box of toys” approach explains why so many Spohn customs share specific features and why the individual components sometimes don’t mix and match too well aesthetically.

But very often the GI patrons insisted on these conflicting themes.  Spohn occasionally modified stock designs with only minor revisions, in which cases the tabs came to a few hundred dollars.  Too, Spohn enjoyed a deserved reputation for fine paint jobs, so many GI’s took their cars to Ravensburg simply to have them repainted.

A full custom body, though, might cost anywhere from $3000 to $7000, depending on how much work was involved.  A Mercury custom that Spohn finished in 1952 is perhaps typical.  The car was commissioned by an Army captain in 1950.  The captain had bought a brand-new, unbodied Mercury chassis from Ford’s Belgian assembly plant for $1100.

Spohn’s bill for the scratch-built body came to $6000.  The captain, by the way, sold his car late in 1953 in this country for $3800.  Another example and perhaps an extreme one involved Charles (Chuck) Justice of Gainesville, Virginia.  Mr. Justice was not a GI, but he wanted a Spohn body on his 1947 Cadillac anyway.  He had to pay full fare to ship the car back and forth between Virginia and Ravensburg.

He did all his designing by correspondence, waited one full year for the finished product, and paid a grand total of $14,101.  More usually, GI’s would have Spohn customize the cars they had brought with them on their tours of European duty.  Uncle Sam footed the bill for shipping both ways at that time.  So while they had them there, many GI’s decided to let Spohn give their cars that unique Teutonic touch.  This decision was sometimes prompted after an accident, when the cars needed surgery anyway.

Spohn and Veritas Automobilwerke:

At the same time that Spohn was building one-offs for GI’s, the company was also turning out bodies for the newly funded Veritas Automobilwerke.  The Veritas sports car was established in 1946 by former BMW employees, and it survived as a make until 1953.  Spohn built a dozen or so custom bodies for Veritas, as did Baur of Stuttgart – far-out open jobs, sometimes with Spohn / LeSabre-type fins.

Brooks Stevens, the famous Milwaukee car designer/collector, commissioned Spohn to build two “series” customs of half a dozen cars each.  These were the Valkyrie, conceived in 1952 and shown for the first time at the 1954 Paris salon, and the Gaylord, which bowed on the same stand in 1955.  An industrial group funded the Valkyrie project.  Six cars were built on Cadillac basics.  The Valkyrie pioneered such innovations as a removable forward roof section, rollbar accent, combination grille/bumper, and 2-tone black-and- white exterior.

“The car was controversial from the critic’s standpoint,” says Brooks Stevens, “but it was given a great deal of publicity.  I had one built for Mrs. Stevens in 1955, and we still have it.”  This car, along with an impressive array of antiques, classics, and customs is on view at the Brooks Stevens Automotive Museum in Milwaukee.  The other Stevens-designed, Spohn-built series custom was the Gaylord.  The Gaylord family of Chicago, whose fortune rested on the invention of the bobby pin, wanted to launch a lush, limited-production sportster in the classic vein.

Brooks Stevens designed the car, and Spohn built six in 2 and 4 door configurations.  Frames were tubular, and Gaylords were powered by Chrysler hemi V-8s coupled to GM Hydramatics.  Touches included a pull-out rear drawer for the spare, illuminated fender wells for nighttime tire changes, retractable hardtops, and dashboard dials angled toward the driver.   At their projected price of $10,000, Gaylords would have been considered  bargains.

Spohn constructed one-off postwar custom bodies on every imaginable make and model of U.S. chassis, from 1940 Buicks to brand-new 1953-54 Cadillacs, Packards, Olds, and Chryslers.  It made no difference t Joe Eiwanger.  His Old World craftsmen, some of whom had come aboard in his father’s day, lavished the same coachbuilding finesse and detail onto these over-enthusiastic traffic stoppers as into the magnificent Maybach V-12s of yore.

Carosseriebau Spohn closed its doors forever in 1957, at which time its assets were liquidated.  Josef Eiwanger took an engineering position with Mercedes-Benz, and he retired a few years ago to return to Ravensburg.

Note from SIA:  Our tanks to Josef Eiwanger, Ravensburg, West Germany; Erik Eckermann, Munich; Strother MacMinn, Los Angeles; David S. Henderson, Vienna Va.; Charles Justice Gainesville, Va.; and Brooks Steves, Mequon, Wisconsin.


When you consider Michael Lamm’s story above, the history of “Spohn” and their cars takes on an entirely different perspective.  It’s really about the last breath of coachbuilding in Europe and America.

Here in America we had Chris Bohman who carried on the legacy of “Bohman and Schwartz” into the mid ‘50s (he was the son of the original “Bohman”).  There was also Derham and Coachcraft and a few others creating scratch-built cars and making custom modifications too.  And the small shops existed here too such as Kurtis, Troutman and Barnes, Jack Sutton, Jack Haggemann, and others.  In Europe, there were still the fine “Old World” craftsmen and companies, and Spohn was one of those coachbuilders still pressing on after a devastating war.

So how many Spohn cars have been found that embody the American custom attributes from back in the day?  Wayne Graefen and I have found at least 5 and have strong leads on several more.  And I bet in future years, these missing “over-enthusiastic traffic stoppers” will surface and we should have some exciting barn finds out there gang!  And we’ll celebrate each of those finds here at “Forgotten Fiberglass.”

Hope you enjoyed the story, and until next time…

Glass on gang…

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The George Barris of Ravensburg – Spohn Coachworks: Special Interest Autos, Jan-Feb 1974 — 11 Comments

  1. HJEarl thought it was flattering his design was copied, that’s all. He loved car-customizers…after all Harley originated Hollywood’s first Hot Rod and Custom Car maker: Earl Auto Works. Harley designed the first custom cars for silent film era movie stars and millionaires. It’s one of the main reasons he was invited, by the Fabulous Fisher Body Brothers, to come work for Cadillac and then design all GM’s products.

  2. Hi Ted…The GM LeSabre by Harley Earl debuted in ’51. All Spohn vintage photos are dated later than ’51 – by 1 or more years. Some of the cars that wear these Spohn fins were built before ’51, but appear to be customized after ’51 – perhaps after their “styling” became dated.

    So as of today, no pre ’52 photos of a Spohn fin have been found. Just pre ’52 cars that most likely were modified post ’51. Just my thoughts so far, but we’re still gathering research. Hopefully fully vetted out dated photos will give us more info to confirm or challenge this finding.

    Hope this helps 🙂


  3. Could I dare suggest that perhaps Harley Earl ”borrowed” that tail fin design off Spohn? He was always in Europe after ideas. If it was Earl’s design, do you think he would let Spohn turn them out in such large numbers? I also some times wonder which came first the LeSabre or the Zis 112. History can often be wrong.

  4. Wikipedia Germany has a nice history of Veritas. My high school German has waned but Google translator reveals perhaps an approximate total of three dozen Veritas cars bodied by Spohn from 1948 through 1953.

  5. I don’t think there is any question that the ’49 Veritas was re-worked by Spohn AFTER the GM LeSabre was first shown. My question remains – was this car used by Kent Taylor (Boston Blackie) in any of the 58 episodes that he made for the TV series from 1951 – 1953? He used quite a number of custom cars in the series, one of which was a heavily modified Crosley Hot Shot.

  6. There is an important reality relative to the1949 Veritas coming up in the Hartung /Chicago /RM auction that can be addressed here. The SIA article points out that Spohn was creating the coachwork for the Veritas cars. The ’49 Veritas therefore would have had one of the regular round roadster (probable) or coupe bodies done by Spohn that year.

    After the GM /Harley Earl /Le Sabre concept car with its wildly finned tail section was shown in Europe in 1951, multiple customers brought their cars to Ravensburg for Spohn to emulate that Le Sabre tail. The tail was in Spohn’s “bag of toys” design sketches for customer choosing.

    The Hartung Veritas was one of those cars. Existing photos show that car received its Le Sabre tail and also a custom headlight / lower grille treatment on a first visit. But the RM auction photos and one historic B&W photo show the odd upper grille as well. My thought is this high performance Veritas car came back again to Spohn needing greater cooling. Spohn used multiple grille areas on cars several times.

    Conjecture exists that the ’49 Veritas Spohn custom was done prior to the construction of the GM LeSabre with Harley Earl copying Eiwanger Jr’s design. Not so. The questioned Veritas had a standard rounded body in ’49 and ’50 and until it came back to Spohn for customizations. Harley Earl’s styling genius remains intact.


  7. Hi Glenn….as far as we know (and all research has revealed) all Spohn customs were built for individuals as discussed in Lamm’s article. We’re in the process of tracking down the family – if they exist – in West Germany. Hopefully there will be lots more original information about Spohn to share on our website 🙂


  8. Great story Geoff – I think that I told you that Lee Hartung told me that “he thought” that the 1949 Spohn bodied Veritas was built for the television series ‘Boston Blackie’. I purchased 6 – 8 episodes of that TV series and didn’t see the car in any of those. Any chance that anyone else has seen the car in any of the Boston Blackie shows?

    Glenn Brummer

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